凯特·威廉姆斯：第三次世界大战

聚焦在亚历山大醉心神话而追求自我实现的热望，他征服亚洲之后民族融合的政策之类几乎没有提及，使得他后半段的形象像个一意孤行逐日的小孩
"Shot almost entirely on location and in direct sound, with most of the action taking place at night or in permanently shrouding mists, the whole film is seen and heard as through a glass, darkly… Weird, hallucinating and oddly poetic, it prefigures the treacherous perspectives of the later film noir."
我对那个夺走我母亲生命的人感到愤怒，无法遏制的愤怒